Monday, February 17, 2014

SOLO Lesson Plan-...Is that chicken?

Visual Studies Lesson Plan
Title of Lesson:  ...Is that chicken?


National Standards:


Texas Essential Knowledge Skills (TEKS):
§117.14. Art, Grade 4.
(a) Introduction.
(1) Four basic strands--perception, creative expression/performance, historical and cultural heritage, and critical evaluation--provide broad, unifying structures for organizing the knowledge and skills students are expected to acquire. Students rely on their perceptions of the environment, developed through increasing visual awareness and sensitivity to surroundings, memory, imagination, and life experiences, as a source for creating artworks. They express their thoughts and ideas creatively, while challenging their imagination, fostering reflective thinking, and developing disciplined effort and problem-solving skills.
(2) By analyzing artistic styles and historical periods students develop respect for the traditions and contributions of diverse cultures. Students respond to and analyze artworks, thus contributing to the development of lifelong skills of making informed judgments and evaluations.
(b) Knowledge and skills.
(1) Perception. The student develops and organizes ideas from the environment. The student is expected to:
(A) communicate ideas about self, family, school, and community, using sensory knowledge and life experiences; and
(B) choose appropriate vocabulary to discuss the use of art elements such as color, texture, form, line, space, and value and art principles such as emphasis, pattern, rhythm, balance, proportion, and unity.
(2) Creative expression/performance. The student expresses ideas through original artworks, using a variety of media with appropriate skill. The student is expected to:
(A) integrate a variety of ideas about self, life events, family, and community in original artworks;
(B) design original artworks; and
(C) invent ways to produce artworks and to explore photographic imagery, using a variety of art media and materials.
(3) Historical/cultural heritage. The student demonstrates an understanding of art history and culture as records of human achievement. The student is expected to:
(A) identify simple main ideas expressed in art;
(B) compare and contrast selected artworks from a variety of cultural settings; and
(C) identify the roles of art in American society.
(4) Response/evaluation. The student makes informed judgments about personal artworks and the artworks of others. The student is expected to:
(A) describe intent and form conclusions about personal artworks; and
(B) interpret ideas and moods in original artworks, portfolios, and exhibitions by peers and others.

Objectives:
1.  To educate students what is really in fast food and why it is unhealthy
2. To allow students to work through this new info by talking about their diets and how they can eat healthier meals.

Social/Historic Context for Lesson Reality of foods today


Historic Artists Used: 
Contemporary Artists Used: 


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Materials Used: 
Timeline for Lesson: 2 weeks


Activity/Procedure:
1. I will spend first day in group discussion about what the students eating habits are like. How often they eat fast food and if they know what it is they are really eating.

2. After the initial discussion, students will get into groups of three and plan out how they want to inform others about they have learned about fast food. (Painting, short film, collage, drawing, illustration)
3.  Students will then present their idea to myself so together we can figure out all the details, materials and a starting point. Work out the kinks.

4.  Students will have the remainder time to work on their projects, encouraged to put their emotions into their piece, why or why not they think fast food is bad for you.

Assessments (objective or subjective):
1. Subjective-to see how students react to the subject of immatation food and how they use art to share it with others



Proposed Budget:

Saturday, February 8, 2014

Personal collections of creations..

Walking City: An Evolving Video Sculpture Morphs in Response to Architecture
http://vimeo.com/85596568
Walking City: An Evolving Video Sculpture Morphs in Response to Architecture architecture animation 3d animation

Created by Universal Everything, Walking City is a slowly evolving video sculpture that gradually changes form through dozens of permutations while the core motion, the act of walking, remains the same. Via Universal Everything:
Referencing the utopian visions of 1960’s architecture practice Archigram, Walking City is a slowly evolving video sculpture. The language of materials and patterns seen in radical architecture transform as the nomadic city walks endlessly, adapting to the environments she encounters.
At almost 8 minutes long it’s a captivating view for such a simple premise, it’s fun to imagine the buildings and architectural designs that inspire each step.


Drawing with Paper: Amazing Papercraft from Lobulo Design pop culture paper illustration design

London-based Lobulo Design (who is actually just a single desiner who goes by Lobulo) creates wonderful, vibrant designs using paper. From pop culture to anatomy and the natural world it seems like nothing is off limits. Check out much more over on Behance

Friday, December 13, 2013

Lesson Plan- Middle School/High



Visual Studies Lesson Plan

Names:                Brittany Barlag

  Kim Lasserre                                                                                                    Grade Level: 6-12

 

Title of Lesson: Bring Your Lessons To Life

 

National Standards:

Content of Art

Standard I: Visual Arts educators have a thorough Understanding of the Visual Arts

Visual arts educators:

  • Have strong studio skills and a well-developed understanding of their own artmaking processes, qualities, and techniques. They are able to express their ideas, feelings, and values through the meaningful creation of artworks using different media, styles, and forms of expression;
  • Make meaningful interpretations and judgments about their own artworks and the works of other artists. They are able to interpret and make meaning of art, and to critically evaluate art through oral and written discourse. They recognize that informed discussion of art is an essential component of art education;
  • Are knowledgeable about the cultural and historical contexts surrounding works of art and visual culture in general. They understand that art and other forms of visual culture communicate, challenge, and shape cultural and social values;
  • Are knowledgeable about aesthetic and artistic purposes of art. They are able to explore philosophical and ethical issues related to the visual arts. They recognize that the making and study of art can be approached from a variety of viewpoints, such as feminism, formalism, postmodernism, and political perspectives;
  • Are knowledgeable about contemporary art and the art world, and recognize the value of studying artworks from popular culture, folk cultures, and various cultural groups;
  • Are knowledgeable about the use of traditional and new technologies within the visual arts. They are cognizant of the roles that digital media and the Internet serve within the visual arts and educational settings;
  • Recognize that art exists in multiple contexts, including museums, galleries, schools, and homes, as well as other settings of public and private life;
  • Are able to organize a safe, interesting, and psychologically positive environment that is conducive to creativity, expression, and making art; and
  • Recognize that learning about the visual arts is a life-long endeavor and is a valuable component of human experience.

Knowledge of Students as Learners

Standard II: Visual Arts educators Understand Student Characteristics, Abilities, and learning Styles

Visual arts educators:

• Demonstrate an understanding of artistic development as a complex multidimensional process affected by psychological, experiential, and social factors. They know that creative instruction can enhance student motivation and curiosity;

• Recognize the importance of helping students learn how to make, manipulate, and modify symbols as an integral part of the arts education curriculum;

• Recognize that stages of development in artmaking and response to art are general models, and that each student, regardless of age, progresses on an individual basis in achieving art competencies;

• Insightfully probe and observe students and student work to understand individual differences that exist in the classroom. They respect and value the unique backgrounds, abilities, and interests of all students; and

• Know the importance of acquiring information about students’ needs through observations and formal and informal conversations with students, their families, other teachers, counselors, school psychologists, and administrators. They provide opportunities for students to learn content and demonstrate their understanding in a variety of ways.

Understanding of Social and Cultural Diversity

Standard III: Visual Arts educators Understand diverse Social and

Cultural Constructions of Identity

Visual arts educators:

  • Understand that individuals’ identities can be shaped by the social and cultural groups to which they belong. Such groups include gender, ethnicity, economic class, sexual identity, and geography, as well as other aspects of identity;
  • Embrace diversity of peoples, philosophies, and cultural histories in instruction, consistently modeling for students the importance of under- standing and valuing others;

  • Are aware of and knowledgeable about their students’ cultural backgrounds; and
  • Are sensitive to differences in artistic and aesthetic responses of students to works of art and to the varying artistic and aesthetic philosophies and values of different cultures.

Teaching and Learning

Standard IV: Visual Arts educators Make Informed Selections of Art Content and Curricula

Visual arts educators:

  • Develop curricula that address students’ ability to respond and interpret art content, and to create meaning through artmaking;
  • Understand that individual approaches to artistic problems must be explicitly encouraged and nurtured through thoughtfully developed curriculum and instruction;
  • Promote student experiences in art by equipping students with a knowledge base that includes concepts related to presentation and exhibition as well as historical, critical, and aesthetic concepts;
  • Consider national, state, and local curriculum standards and frameworks while planning strategies for learning and teaching;
  • Make accessible to students the traditional, popular, and contemporary art worlds, and art from a wide range of cultures; and
  • Are familiar with the wide range of curriculum resources produced by museum education departments and professional publishers, and are able to make selections appropriate for their own curricular goals.

Standard V: Visual Arts educators Use Knowledge of Students as learners to Plan Appropriate Instruction

Visual arts educators:

  • Develop a repertoire of teaching strategies appropriate to the needs of all students. They know that students have different cultural backgrounds and learning styles;
  • Know that students may take different paths to the understanding and creation of art and are able to plan instruction that allows for these differences;
  • Help students create, experience, and understand art relevant to their experiences and interests;
  • Provide opportunities for students to work cooperatively as well as individually; and
  • Have high expectations for all students appropriate to individual levels of artistic, cognitive, emotional, moral, physical, and social development.

Standard VI: Visual Arts educators Use Contemporary technology to enhance teaching and learning

Visual arts educators:

  • Create curricula that include artmaking in new forms and media;
  • Create learning environments that use current and emerging technologies as instructional and learning tools; and
  • Provide opportunities for students to document and display their artwork through the use of new media.

Assessment, Evaluation and Reflection

Standard VII: Visual Arts educators Conduct Meaningful and

Appropriate Assessments of Student learning

Visual arts educators:

  • Develop a repertoire of assessment strategies consistent with instructional goals, teaching methods, and individual student needs;
  • Use multiple methods of assessment, both formal and informal, formative and summative, and a range of assessment strategies such as portfolios, journals, class critiques, and discussions;

• Practice assessment as a joint venture through which both student and teacher understanding is enhanced;

• Provide opportunities for students to assess their own knowledge and skills and demonstrate an understanding of standards;

• Ensure that all students have many equal opportunities to display what they know and can do in art;

• Provide recognition of a variety of student accomplishments and positive habits of mind; and

• Evaluate student progress in relation to both short and long-term instructional objectives.

Standard VIII: Visual Arts educators Systematically reflect on their own teaching Practice

Visual arts educators:

• Reflect on their teaching practice to extend their knowledge, improve their teaching, and refine their evolving philosophy of education. They recognize that they will gain expertise with experience and will continue to improve their effectiveness;

• Are open to new ideas for teaching and continually seek to broaden their teaching skills;

• Observe and analyze the teaching practices of others, and seek and accept qualified advice and constructive critiques of their teaching practice from arts supervisors, administrators, and colleagues;

• Evaluate the effectiveness of their instruction on students; and

• Search for patterns of student accomplishment and behavior in their classrooms that reflect on the impact of their teaching practice.

Standard IX: Visual Arts educators Assess Program effectiveness

Visual arts educators:

  • Formulate questions that address the effectiveness of art programs with regard to program, school, district, and cross-district goals;
  • Know the importance of reporting results of assessments in appropriate ways to students, families, administrators, and the public; and
  • Develop assessment strategies to deal with broad issues of program effectiveness. They use effective forms of communication to convey results to various audiences, including exhibits, portfolios, test scores, and so on.

Collaboration, Professional Engagement and Leadership

Standard X: Visual Arts educators Collaborate with other educators

Visual arts educators:

• Identify topics and art resources that can be pursued in an interdisciplinary manner with other educators while maintaining the integrity of each discipline. They encourage colleagues to incorporate the arts as essential components of interdisciplinary study;

• Seek to learn about the pedagogical practices and instructional programs of other educators to collaborate and form interdisciplinary connections to make art an articulated and central part of the school curriculum; and

• Work to break down stereotypes about art and learning that may exist among administrators, parents, and faculty in other subject areas.

Standard XI: Visual Arts educators serve their Schools and Communities

Visual arts educators:

  • Are involved and contributing members to the school community, being part of policy committees and educational councils and involved in collaborations with other educators and colleagues at all levels;
  • Provide leadership for administrators, decision makers, policy makers, and other stakeholders about the value of the visual arts in a student’s comprehensive program of studies;
  • Are willing to work with colleagues to improve and evaluate professional development plans and practices;

  • Take student art into the community where it becomes a positive influence within the community;
  • Work with colleagues in the schools to foster a professional culture that has a significant place for the arts; and
  • Regularly attend art shows in other schools, galleries, universities, and museums and demonstrate the value of working with educators from other schools, districts, colleges and universities, arts organizations, and museums.

Standard XII: Visual Arts educators continue their Professional development throughout their Careers

Visual arts educators:

  • Participate in seminars, workshops, and conferences to further their professional development and encourage colleagues to do the same;
  • Understand the history of the profession and current philosophical foundations of visual arts education;
  • Continually examine their assumptions and thinking about themselves, their students, and the field of visual arts education;
  • Clearly articulate their teaching philosophies and the unique ways in which art learning can contribute to cognitive, emotional, moral, and social growth;
  • Maintain a professional resume and teaching portfolio, and understand the importance of continuing to document their teaching effectiveness throughout their careers; and
  • Remain aware of current research in the field and continually seek out and implement varied instructional strategies.

Standard XIII: Visual Arts educators Contribute to the growth of their Profession

Visual arts educators:

  • Are active members of associations, museums, and organizations connected to their profession;
  • Continue to develop the capacity to be leaders in various educational and professional roles;
  • Understand the importance of making presentations at professional, school, parent, and community meetings;
  • Contribute to the literature of the profession; and
  • Serve as peer coaches or mentors to student teachers, new teachers, and other colleagues.

 

Texas Essential Knowledge Skills (TEKS):

(1) Four basic strands--perception, creative expression/performance, historical and cultural heritage, and critical evaluation--provide broad, unifying structures for organizing the knowledge and skills students are expected to acquire. Students rely on their perceptions of the environment, developed through increasing visual awareness and sensitivity to surroundings, memory, imagination, and life experiences, as a source for creating artworks. They express their thoughts and ideas creatively, while challenging their imagination, fostering reflective thinking, and developing disciplined effort and problem-solving skills.

(2) By analyzing artistic styles and historical periods students develop respect for the traditions and contributions of diverse cultures. Students respond to and analyze artworks, thus contributing to the development of lifelong skills of making informed judgments and evaluations.

Knowledge and skills.

(1) Perception. The student develops and organizes ideas from the environment. The student is expected to:

(A) illustrate ideas for artworks from direct observation, experiences, and imagination; and

(B) compare and contrast the use of art elements (color, texture, form, line, space, value) and art principles (emphasis, pattern, rhythm, balance, proportion, unity) in personal artworks and those of others, using vocabulary accurately.

(2) Creative expression/performance. The student expresses ideas through original artworks, using a variety of media with appropriate skill. The student is expected to:

(A) create visual solutions by elaborating on direct observation, experiences, and imagination;

(B) create designs for practical applications; and

(C) demonstrate effective use of art media and tools in design, drawing, painting, printmaking, and sculpture.

(3) Historical/cultural heritage. The student demonstrates an understanding of art history and culture as records of human achievement. The student is expected to:

(A) compare and contrast historical and contemporary styles, identifying general themes and trends;

(B) describe general characteristics in artworks from a variety of cultures; and

(C) compare and contrast career and vocational opportunities in art.

(4) Response/evaluation. The student makes informed judgments about personal artworks and the artworks of others. The student is expected to:

(A) interpret, evaluate, and justify artistic decisions in personal artworks; and

(B) select and analyze original artworks, portfolios, and exhibitions by peers and others to form precise conclusions about formal qualities, historical and cultural contexts, intents, and meanings.

 

Objectives:

1. Students will use what they have done or are going in one of their other classes (English, math, science, history, etc.) to research and create a work of art.  Collaboration between art teacher, students and other subject teachers is absolutely necessary. 
2. Can use a variety of materials and techniques to create their pieces, including performance, collage, paint, pencil, animation, comic, anything. Students will make interpretive, symbolic and evaluative judgments while creating their piece.

 

Introduction:
Vocabulary: pointillism, action painting, performance art, cross-hatching, abstract, assemblage, etching, collage, realism, mixed media, mosaic, perspective, foreshortening, analogous and complimentary colors, opaque, transparent, conceptual, surrealism, cubism, dada, ready-made art, pop art

 

Social/Historic Context for Lesson: Dependent on the subject matter that the student chooses from what they are learning in one of their other core classes.

 

Historic Artists Used: da Vinci, Pollock, Roy Lichtenstein, Bob Kane, Seurat

Contemporary Artists Used: Joseba Elorza, RRRRRRROLL, Guy Laramee, Marquese “Nonstop” Scott, Pepon Osorio

Books: Rethinking Art Education, Artists Manual (Angela Gair), The Art Book (Phaidon)

Websites: thisiscollossal.com, juxtaposition.com, hifructose.com

 

Materials Used: found objects, paint, pencil, video, magazines, clay, needles and thread, fabric, ink, pastels, charcoal, markers, canvas, wood, illustration board, photography, watercolor, teabags, masking tape, text, cardboard, maps, stencils, X-Acto knife


 

Technology Used: computer, camera, Photoshop (or alternative image processing and editing software), cell phones, Phone apps (Instagram, Graffiti), moviemaker, Flickr,


Timeline for Lesson: 2 Weeks

Day 1: Explain project, show PowerPoint of numerous artists and different styles of 2-D and 3-D art, allow time for students to collaborate (if desired) and organize their ideas.  By the end of class should have some idea(s) of what they want to do.

Day 2: Will get with students to discuss their ideas, show them specific artists and works related to their project and figure out materials needed.  Begin work.

Day 3-5: Students will continue working on their projects.

Day 6: Teacher will get together with each student or group of students to discuss any problems or questions and check on their progress.  Ask about their process and planned direction of the piece. Continue to work.

Day 7-9: Continue to work

Day 10: Critique and turn in projects.

 

Activity/Procedure:

1. We will have a discussion over what they are learning in other classes and how we could turn those lessons into a work of art.  Students will pick the subject or event that they have learned about and interest them the most.  Then we will discuss how they can use different methods to create their piece. Students can then brainstorm and discuss ideas with others and the teacher.  Will be allowed to collaborate on projects and work in groups. 

 

Assessments (objective or subjective):

1.       Daily review

2.       Daily check-in with each student

3.       Progress grade at halfway point

4.       Peer Review

5.       Final grade upon turn-in

 

Future Considerations/Notes:

Lesson Plan - Elementary


Visual Studies Lesson Plan

Names:                Brittany Barlag

  Kim Lasserre                                                                                                    Grade Level: 1-5

 

Title of Lesson: Bring Your Lessons To Life

 

National Standards: What exactly are you looking for as far as national standards go?

 

Texas Essential Knowledge Skills (TEKS):

 

Objectives:

1. Students will use what they have done or are going in one of their other classes (English, math, science, history, etc.) to research and create a work of art.  Collaboration between art teacher, students and other subject teachers is absolutely necessary. 
2. Students may use a variety of materials for their project, they may choose from 4 projects, paper mache, video, painting, and/or collage.

 

Introduction:
Vocabulary: Abstract, Animation, Balance, Assemblage, Bird’s eye-view, Blend, Paper Mache, Video, Collage

 

Social/Historic Context for Lesson: Dependent on the subject matter that the student chooses from what they are learning in one of their other core classes.

 

Historic Artists Used: da Vinci, Pollock, Roy Lichtenstein, Bob Kane

Contemporary Artists Used: Joseba Elorza, RRRRRRROLL, Guy Laramee, Marquese “Nonstop” Scott, Pepon Osorio

Books: Rethinking Art Education, Artists Manual (Angela Gair), The Art Book (Phaidon)

Websites: thisiscollossal.com, juxtaposition.com, hifructose.com

 

Materials Used: found objects, paint, pencil, video, magazines, clay, fabric, ink, pastels, charcoal, markers, canvas, wood, illustration board, photography, watercolor, teabags, masking tape, text, cardboard, maps, stencils, Scissors


 

Technology Used: computer, camera, Photoshop (or alternative image processing and editing software), cell phones, Phone apps (Instagram, Graffiti), moviemaker, Flickr,


Timeline for Lesson: 2 Weeks

Day 1: Explain project, show PowerPoint of numerous artists and different styles of 2-D and 3-D art, allow time for students to collaborate (if desired) and organize their ideas.  By the end of class should have some idea(s) of what they want to do.

Day 2: Will get with students to discuss their ideas, show them specific artists and works related to their project and figure out materials needed.  Begin work.

Day 3-5: Students will continue working on their projects.

Day 6: Teacher will get together with each student or group of students to discuss any problems or questions and check on their progress.  Ask about their process and planned direction of the piece. Continue to work.

Day 7-9: Continue to work

Day 10: Critique and turn in projects.

 

Activity/Procedure:

1. We will have a discussion over what they are learning in other classes and how we could turn those lessons into a work of art.  Students will pick the subject or event that they have learned about and interest them the most.  Then we will discuss how they can use different methods to create their piece. Students can then brainstorm and discuss ideas with others and the teacher.  Will be allowed to collaborate on projects and work in groups. 

 

Assessments (objective or subjective):

1.       Daily review

2.       Daily check-in with each student

3.       Progress grade at halfway point

4.       Peer Review

5.       Final grade upon turn-in

 

Future Considerations/Notes:

Tuesday, December 10, 2013

Resume

KIMBERLY LASSERRE(Address)
Lubbock, TX (zip code)
(Phone number)

kimberly.lasserre@ttu.edu

EDUCATION

Bachelors, Visual Studies with K-12 Teacher Certification, Texas Tech University, Lubbock, Texas, In Progress

Associates, Art, South Plains College, Levelland, Texas,

TEACHING EXPERIENCES

Student Teacher, Matthews High School, Lubbock, Texas. Taught four-week art course. March 2013

UNIVERSITY OUTREACH EXPERIENCES


EXHIBITS


WORK EXPERIENCE

Graphic Designer, Stew-Art, Lubbock, Texas, 2013

HONORS AND AWARDS

Dean's List, South Plains College, Levelland, Texas, Fall 2008, Spring 2009, Fall 2010

SPECIAL SKILLS

Competent with the following software: PhotoShop CS6, Microsoft Office, PowerPoint, & Adobe.

REFERENCES

Shirley Webb, Education Instructor, Texas Tech University, Lubbock, TX 79409-2081
Phone: (#)  E-Mail: swebbwords@gmail.com

Dr. Ed Check, Texas Tech University, School of Art, Box 42081, Lubbock, TX 79409-2081
Phone:(#) E-Mail: ed.check@ttu.edu

Monday, December 2, 2013

I am from girls don't cry

I am from girls don't cry and never wear pink
Where dirt and grunge are the places to be
Cuts and scratches go unattended
From long jumps and narly landings

I am from girls CAN too and do it BETTER
Holey shirts and tattered pants
From sand dunes and christmas tree bonfires
Ponytails and broken bones

I am from Fast Orange and oil changes
Screwdrivers and loud machines
Gasoline grime and handyman
These are the places for me



Monday, November 25, 2013

20 Dead Artist

20 DEAD artist

  1. Michelangelo
  2. Leonardo Da Vinci
  3. Jean Pucelle
  4. Andre Derain
  5. Andy Warhol
  6. Frida Kahlo
  7. Rembrandt (put on one of his finest suits and then gassed himself)
  8. John Sloan
  9. Alfred Stieglitz
  10. Emily Carr
  11. Frank Lloyd Wright
  12. Van Gogh
  13. Jean-Honore Fragonard
  14. Gianlorenzo Bernini
  15. Henry Alexander (Drank Carbolic Acid)
  16. Diane Arbus (Took a lethal dose of barbiturates and slashed her wrists)
  17. Leon Bonvin (hanged himself from a tree in the forest of Meudon after a dealer rejected his paintings)
  18. Francesco Borromini (Threw himself on a cermonial sword, then lingered for another 24 hrs)
  19. Dora Carrington (Shot herself)
  20. Dezso Czigany (Committef suicide in a psychotic fit, but not before killing his family)